These will be viewed on large monitors by the judges. Be sure to submit clear, non-pixelated images. To guarantee we match your artwork with your submission, your file must be named by the artist name and title. Example: FirstName-LastName-Title.jpg
It's as easy as filling out the online submission forms online at the Entry Info page, observing the rules that are outlined, and uploading the art, filling out the forms, and paying the fees by the deadline.
Artists, art directors, and publishers who wish to receive a Call For Entries poster may use the contact form provided on the website. (Mailed within the U.S. only.)
Posters are mailed out beginning in October each year; we stop mailing posters for a given competition approximately a week before the deadline for entries (or when our supply of posters is exhausted). Requests that arrive after the close of a given competition are added to the mailing list for the following competition.
Remember to update us with your new address when you move if you want to continue to receive the poster!
The following specifications are recommended when submitting a piece of artwork using our online digital submissions process.
We do not adjust files in any way. We present the submitted files to the jury exactly as they are submitted to us.
Unfortunately, nothing in life is free. The entry fee helps to off-set the escalating expense of doing Spectrum each year. Postage, printing the Call For Entries posters, advertising, costs associated with the judging event, etc. all adds up. Though our costs go up annually, the entry fees have remained virtually unchanged since the beginning. Spectrum is very much a co-operative effort, with the arts community joining together to make this high-profile showcase possible. And, unlike some other art annuals, there are no additional "publication fees" for works selected for inclusion in the book (others can charge up to $75 per accepted piece in addition to the entry fee).
Artists accepted for Spectrum receive a copy of the book their work appears in without charge: contributors to many of the other art annuals have to purchase their copies.
No. If a piece gets a plurality of votes by the jury, it's included in the book; if it doesn't receive enough votes, it's not included. It's really that simple. Not getting selected for the annual is always one of the risks of participating. We try to put together a jury each year which reflects a wide variety of sensibilities, tastes, and experiences so that no one school of thought dominates. We also try to keep the voting anonymous, discourage voting influenced by politics or personalities, and otherwise try to keep the playing field as level as possible for everyone.
The simple fact is that it boils down to the dynamic of the jury each year: not everyone gets in, regardless of credentials or reputations. It's tough to make it into Spectrum: it's no reflection on an artist's talent or popularity if they don't, but there is significance if they're tapped by the jury.
We try to keep things as clear and simple as possible: we post a list of the artists selected for inclusion in the annual on the website at the conclusion of each competition for everyone to check (we also notify those artists by mail).
That's up to you. Our advice is to view all of your possible entries and do a critical self-evaluation of your work before you decide on what to submit. Your art will be displayed for the jury side-by-side with many of today's most accomplished creators and you want to hold your own. If you feel you've done twenty killer pieces and can afford the entry fees, go for it and see if the jury agrees; if you've got two works you feel strongly about and eight you think are "okay", just submit the two. It's always your call - everything submitted goes before the judges but our advice is to submit the work you feel represents your best efforts.
No. The procedure we have (refined through much trial and error) dictates that digital submissions be submitted through our website. This makes it easier for us to keep track of and to manage the entries.
No. The quantity of entries Spectrum receives each year makes it impossible to provide personalized feedback on artwork. The only thing we can promise is that each entered work is viewed by the jury.
Yes and no. The Spectrum annuals 1–20 were published by Underwood Books. These are available from most major bookstores and online booksellers. The Spectrum books published by Flesk Publications, including the annuals beginning with number 21 and the Spectrum Fantastic Art Live commemorative event books can be purchased on our Flesk Publications website.
Some have suggested that Spectrum should be put together like the fantasy and SF fields' "year's best" anthologies. We don't agree for the simple reason that no one, or no group, can see everything. By opening Spectrum up to whomever wishes to participate, we're able to showcase work from overseas, art that is previously unpublished, or pieces that appeared in venues that might not be widely accessible.
It could be because he or she doesn't participate. Or it could be that he or she has entered work, but the jury didn't select it for inclusion in the annual. Everyone is welcome to enter art, but no one, regardless of stature, is guaranteed that the jury will select their art.
It seems to say it all. Fantasy, science fiction, horror, surreal, and things you just can't quite get a handle on all seem nicely encapsulated by the term "fantastic art". We don't differentiate between "illustration" and "fine art" and we don't try to define what "fantastic art" is. There are some who question our use of the term, believing that the term "fantastic art" belongs to a school of sometimes grotesque/sometimes surreal, art. We don't agree and will continue to refer to the work in Spectrum as "fantastic art".
No. You can draw anything you want, but we can not publish any work that potentially infringes on the copyrights of another person or company: you have to get the permission of the rights holder first and that almost never happens with work not created for or directed and approved by the copyright owner. Art featuring licensed characters that appears in Spectrum does so with the express permission of the proper rights holders.
There really are no right or wrong answers: sometimes art overlaps. As an example, a sculpted work that is used to illustrate a magazine article: could go into Dimensional, could go into Editorial and neither would be wrong. You can always email us with questions or note your quandary with your entries and we'll sort it out.
Marketing decisions are largely made through discussions with our publisher and their distributor, and that includes the cover art. They in turn get suggestions from the major bookstore buyers as to what they think "sells" in their market. We do several cover mock-ups and submit them for approval: the one everyone likes is the one we use.
Not in the foreseeable future. Time, expense, and copyright protection are only three of the many reasons we currently have no plans to making Spectrum virtual. Besides we think it functions best as an "ink on paper" book (but never say never).
No, we are not affiliated in any way with the Association of Science Fiction & Fantasy Artists. As a courtesy, early editions of Spectrum included the winners of ASFA's Chesley Awards and on occasion Spectrum has been a financial sponsor of those awards. Other than that, there's no connection.
To be eligible for the Grand Master Award an artist has to: (1) have a career spanning at least twenty years, (2) have achieved a level of excellence in their work that they've maintained throughout the course of their career, (3) have inspired other artists with their attitudes and accomplishments, and (4) still be living. We've always got a short-list of people we feel are worthy of receiving the award, but we're also interested in hearing suggestions from readers.
No. The judging is hectic, time-consuming, and requires the undivided attention of everyone involved. While your interest is appreciated, visitors would be a distraction and aren't allowed.